Showing posts with label wonder woman. Show all posts
Showing posts with label wonder woman. Show all posts

Wednesday, October 18, 2017

DC Animated Superhero Retrospective Series - Justice League: Throne of Atlantis (2015)

Written In January 2015
 Let me save us all some time and cut this review short.
Are we done now?
Fuck you Louis CK! You don’t have to review movies that aren’t worth talking about!
Plot Summary Taken From Wikipedia:
After the events of Justice League: War, Ocean Master and Black Manta have declared a war against the surface in retaliation of the aftermath of Apokoliptian-tyrant Darkseid’s planetary invasion. Queen Atlanna seeks out her other son, Ocean Master’s half-brother Arthur Curry, a half-human with aquatic powers with no knowledge of his Atlantean heritage, to restore balance.
Living with powers he doesn’t understand and seeing the danger around him, Curry takes steps to embrace his destiny, joining the Justice League, and with his new teammates he battles to save Earth from total destruction.
Here is my open letter to DC’s animation department, you made this
This
This
And This
And then you just started making this crap?
I refuse to believe you are giving me anything close to your best, c’mon DC! You are better than this! You don’t owe me or anyone else anything, because at the end of the day, your live action films and your video games will easily make more money than these projects, but please, for the sake of making a product you can genuinely take pride in, step up your fucking game!
"PSST!"
What is it non existent voice that I’m making up to segway into a point?
"Look at this!"
Okay, let me read this. Let’s see, we’ve got:
Batman Vs. Robin: “A loose adaptation of Scott Snyder’s Court of Owls series with Jason O’Mara, Stuart Allan, Sean Maher, and David McCallum reprising their roles from Son of Batman.” That sounds good so far. I’ve read Court of Owls, that’s some pretty awesome material, what else have we got? “With Jeremy Sisto, Kevin Conroy, and Weird Al Yankovic as Talon, Thomas Wayne, and The Dollmaker respectively.” Alright, who’s behind the camera for this one?
*heavy sigh* Jay Olivia is directing, of course this was too good to be true. But who’s the irrelevant hack writing? *looks back* Oh, we’ve got J. M. DeMatteis, he wrote some of my favorite episodes Justice League Unlimited, take a look at this guy’s credits! Yeah that looks kinda cool, I mean, it’ll probably suck at worst and be okay at best, but at least I have something worth being disappointed about! Good God, these movies are making me so pessimistic. C’mon DC, give me something that’ll wash that away, give me something that-
IT IS! YOU GUYS DON’T UNDERSTAND HOW GREAT THIS IS! Alan Burnett and Bruce Timm basically co-created the entire original DC animated universe with Paul Dini! And Sam Liu co-directed Crisis On Two Earths and Year One with Lauren Montgomery, and also just plain directed Hulk Vs. and Planet Hulk! THIS IS FANTASTIC NEWS! DON’T FUCK THIS UP DC!
Okay, enough of that optimism and hope for the future, let’s get into why the present is sort of eh.
PROS:
  • Matt Lanter, best known as the voice of Anakin Skywalker in Star Wars: Clone Wars, does a pretty good job here as Arthur. He definitely makes him likable and gives him a certain charm, and he sells some of the more silly moments like when he’s drunkenly voicing his sorrows to a restaurant lobster that’s about to cooked and boiled.
  • Sumalee Montano does an adequate job of voicing Mera, I don’t really know the character all that well so I can’t say if she should sound the way she does, but all I can say is she did a decent job. Nothing memorable, but that beats the hell out of being terrible. If you wanna hear something more memorable, listen to her portrayal of Katana on Beware The Batman.
  • Jerry O’Connell takes over for Alan Tudyk here as Superman and I gotta say I think he sounds more like the classic Supes than Alan did, admittedly Alan wasn’t playing the classic Supes, but I like the classic Supes better. He seems like less of an arrogant douchenozzle than last Superman, so I like him more.
  • This Wonder Woman has improved and THANK GOD FOR IT! She’s less obnoxious, she doesn’t spend her time pointing her sword randomly at people, or tossing her lasso of truth onto people who just say they don’t like her, it’s a RELIEF! And honestly, Rosario Dawson does a pretty good job of voicing her. Much improved over Michelle Monaghan, God love her.
  • Nathan Fillion, Jason O’Mara, Shemar Moore, and Christopher Gorham are all pretty good as Hal, Bruce, Victor, and Barry respectively. They all do the same good work they did in their previous credits, let’s move on.
  • The only time that this movie really impressed me was this dream sequence where a human Victor was out jogging with this beautiful woman, when suddenly he’s confronted by an empty version of his Cyborg armor, it tells him it’s time to go and Victor pleads with it to give him more time. This movie very briefly makes you think it’s about to do something interesting and then… it doesn’t. But it was nice to think so, even for a minute.
  • I think we may gotten ourselves a cameo from Steel, isn’t that awesome?
  • The Wonder Woman/Superman romance is done much much MUCH better this time! It still feels forced, but I think this time they’re playing it more like “these are two people who are afraid of being alone, so they pretend to be in love.” As opposed to “These people are totally in love!!!!” And honestly, I think if they played with that more than the movie’s 72 minute run time would allow it could be a lot more interesting, the idea that these two are brave enough to fight monsters and alien armies, but they haven’t the courage to admit to each other they aren’t in love and may have feelings for other people like say...


    I’m just saying.
  • The Lex Luthor stinger at the end was pretty cool, I must admit.
  • Harry Lennix does a good job as Black Manta, damn shame he was the bad guy they had to kill in the end.
CONS:
  • Sam Witwer is a really great actor, in fact he does a wicked Emperor Palpatine! But his talent is wasted on this annoying character. Ocean Master is a terrible villain, I really wish it was Black Manta that got to be the villain at the end. But maybe he had to be killed instead because Orm is easier to manipulate than David.
  • WHO THE FUCK DECIDED IT WAS A GOOD IDEA TO KEEP MAKING BILLY BATSON A FUCKING ANNOYING SHITHEAD?!?! HE’S A GOOD KID! QUIT MAKING HIM SO DAMN ANNOYING FOR FUCK’S SAKE! 
  • Juliet Landau does not make for a very good Lois Lane.
  • So much of the stuff in Atlantis is telegraphed, you know what’s gonna happen as soon as the characters are set up. Atlanna is going to insist on not going to war, while Orm and David continue to set up for one, at some point Atlanna is going to reveal that she knows what they’re doing and then before she can enact disciplinary action for their treasonous behavior one of them will murder her. And guess what happens? Exactly that! It’s really fucking stupid! And it’s really fucking bad writing! Work on that!
All in all, this movie is a decent way to waste time. If you’re a hardcore DC fan, give it a watch. If you’re a hardcore animation fan, give it a watch. If you’re a big Aquaman fan, give it a shot. Otherwise, I wouldn’t say this is something you need to see. I’m gonna give Justice League: Throne of Atlantis, a 6 out of 10.

Tuesday, October 17, 2017

DC Animated Superhero Retrospective Series - Justice League Doom (2012)

Written In January 2014
Here’s the short version, just not quite as good as New Frontier, nowhere near as good as Crisis on Two Earths. Stay tuned for the long version!
Plot Summary Taken From Wikipedia:
The film revolves around Vandal Savage’s plot to exterminate the greater part of the human population and start a new civilization. To ensure that the Justice League is unable to stop him, Savage hires Mirror Master, who hacks into the Batcomputer using a device made by LexCorp and steals contingency plans devised by Batman to incapacitate his League teammates should they ever go rogue. Savage assembles a group of supervillains with personal vendettas against the heroes and pays them richly to simultaneously attack the members of the League using these plans, albeit altered to be lethal.
The villains each do their part to take out the Justice League:
  • Batman is informed by Alfred Pennyworth that the bodies of Thomas and Martha Wayne have been exhumed and are missing. When Bruce Wayne arrives at his parents’ graves, he is ambushed by Bane. The emotional distraction is enough to grant Bane the upper hand and render his adversary unconscious. Bruce is then placed into his father’s coffin which is reburied. He wakes up to the horrifying prospect of dying of asphyxiation next to his father’s corpse. Batman comes close to accepting his fate but, motivated by the memory of his parents’ murder, is able to dig his way out of the grave. He soon realizes that the League has been attacked using his own contingency plans. With help from Cyborg, he saves his teammates one by one.
  • Wonder Woman is attacked by Cheetah who scratches her arm, sending nanomachines into her bloodstream. The microscopic machines attach themselves to her brain stem and begin broadcasting directly into her visual and auditory sensors. This fools Wonder Woman into thinking that everyone she sees is a duplicate of Cheetah. The illusion is designed to exploit her competitive nature, by sending her into a never-ending battle. Since she would never surrender, she will force herself to fight until her body gives out, thanks to the drugs the nanomachines were carried in, causing her to suffer an epileptic seizure or a heart attack. Cyborg adjusts his sonic emitter to a frequency that neutralizes the nanites.
  • The Martian Manhunter (in his human identity of John Jones) is celebrating his birthday with his colleagues from the police force. He receives a soda from a mysterious woman (who is actually Ma'alefa'ak in disguise). The drink is laced with magnesium carbonate, which is poisonous to Martian biology. The Manhunter’s body is capable of curing itself, but only by sweating out the magnesium which is highly flammable. Ma'alefa'ak uses a lighter to set his enemy on fire (J'onn’s only weakness), leaving him to burn alive without the possibility to extinguish the flames. Batman provides Cyborg and Wonder Woman with a chemical (Aluminium oxide) that when injected into the Martian, neutralizes the magnesium.
  • The Flash is lured into a trap by Mirror Master who pretends to rob a train. The villain then uses a hologram of an elderly woman to create the illusion that he had a hostage. The whole scenario is only intended to trick the Flash into placing his arm into a booby trap that attaches a bomb to his wrist. The bomb will explode and kill everyone within three miles if the hero tries to remove it or if he does nothing. The only way to prevent the explosion is to run and never decelerate, but even the Flash cannot run forever. Batman instructs him to run and vibrate his molecules through an entire glacier in the Arctic to get rid of the bomb. Flash gets away from the blast radius.
  • Green Lantern is called upon by the FBI to deal with a group of terrorists who have taken hostages into a salt mine. However the truth is that both the terrorists and the hostages are sophisticated androids. The entire setting is part of a complex deception that fools Green Lantern into thinking that innocent lives are lost due to his overconfidence. The hero is also exposed to a synthesized version of the Scarecrow’s fear gas that undermines his will. Finally, Star Sapphire shows up and exploits his fears, convincing him that he does not deserve the power he wields. Green Lantern renounces his ring, without which he cannot escape from the collapsed salt mine. The weakened hero resigns to his fate. Batman shows him that the hostage was an android when he takes its head off and offers him an antidote to the gas. Jordan rejects it with his will now resolved.
  • Superman is lured to the roof of the Daily Planet by a disillusioned former employee named Henry Ackerson, who aims to commit suicide by either jumping off or shooting himself. Superman tries to talk him out of it, and appears to have succeeded, when Ackerson unexpectedly shoots the hero instead. It is then revealed that the suicide ploy was meant to trick Superman into lowering his guard, that the former employee was being impersonated by Metallo, and that the bullet was made of Kryptonite, the only material that can harm Kryptonians. A fatally wounded Superman falls from the top of the building. The Kryptonite is surgically extracted by Cyborg (who uses a kryptonite scalpel laser) and Martian Manhunter (who shapeshifts his fingers and gets the bullet out) and Superman regains consciousness.
The Justice League retreats to the Watchtower, where Batman reveals that he was the real mastermind behind the attacks, having studied the others for physical and psychological weaknesses. However, he also had a contingency in place should the Batcomputer ever be hacked: a tracing algorithm hidden in his files. This enables the League to track down the Legion of Doom.
The villains are subdued, but the heroes fail to prevent Savage’s scheme to orchestrate an apocalyptic cataclysm with a powerful solar flare. Using information obtained by Cyborg, Batman devises a last minute plan and the League barely manages to save the Earth. The World Court sentences the immortal Vandal Savage to life imprisonment without possibility of parole.
In the aftermath of their victory, the Justice League votes to add Cyborg to their roster. Superman calls for a vote on Batman’s continued membership in the team, following the revelation of the latter’s breach of trust. However, Batman defends his plans and expresses no regret over his actions. He leaves the Justice League, saying “I don’t need to wait for a vote, I don’t belong here.”
In the final scene, Superman entrusts Batman with the Kryptonite bullet, agreeing with the concept of having safeguards in place should the League members ever fall to villainy or mind control - but not without first questioning him about Bane’s attack. It is revealed that exhuming the bodies of Thomas and Martha Wayne was entirely Savage’s idea. Superman asks Batman if he is still so arrogant that he did not bother to create a plan to stop himself, but Batman replies that there is one: the Justice League.
So here’s the thing, I honestly like this movie. I do. I love the cast, I like the story, I always enjoy seeing Cyborg getting to do something, and blah blah blah. But there were always a couple issues I had with the movie.
  1. If you’re intent on getting the individual Justice League members’s worst enemies, then why the hell did you go for Metallo and Bane for Superman and Batman? I mean admittedly, they’re probably easier to manipulate than their actual worst enemies since; A. Lex has enough money and would likely screw Vandal over in the end. B. The Joker doesn’t give a fuck about money (except for TNBA where he and Harley went sort of broke) and would ABSOLUTELY screw Vandal over in the end. So it’s one of those things like, that makes sense, but you could’ve done better.
  2. Everyone seems so offended that Batman would come up with plans to take out the League, or just members of it, if need be. Why? Superman can shoot volcano levels of heat from his eyes and breath blizzards! The entire Amazon race could level the world of a men inside a month if they felt the need! Sinestro turned his back on the core, who’s to say Hal or another Green Lantern wouldn’t too? The Flash can cause all kinds of destruction with his speed if he feels the need. Unless you know that Martians hate fire, J'Onn could take over the planet in no time. These are all people that there needs to be a plan for in case they are manipulated or corrupted. But everyone acts like it’s a betrayal of trust.
  3. I’m fine with a Justice League movie that worships the almighty BATGOD, but at least let the other characters get a word in. When Batman’s leaving the League, Superman calls him out on his arrogance and asks him if he even thought to make a plan for himself. Batman replies that the League is his plan. If that isn’t bad enough, Superman smirks at him and acts like he didn’t just say something incredibly arrogant and stupid.
But ultimately, those don’t feel like bad enough details, especially since Crisis sort of worships Batgod, but that movie simply showed Batman as an intelligent combatant as opposed to the man who could even best freaking Galactus if given about 10 days. And that’s the version of Batman I hate, the version that says “Batman iz relatable becuz he’s human!” Relatable despite the fact that he’s more of a superhero than the actual super powered heroes. But regardless, you see that kind of stupid talk from morons online all the time. Why did that really bug me here? Well I think I finally put my finger on it, it’s… drum roll please!
image
We all know that Batman doesn’t kill, correct? The man himself says that the reason these plans almost got the League killed was because he repurposed them to kill. To repurpose something is to simply tweak it slightly, to take something meant for one thing and change it just a LITTLE to make it work for something similar. Well here’s the thing, I see these plans and other than the signature Kryptonite thing, I don’t see anything about them that Batman would use. They’re too cruel. Like lighting J'Onn on fire? Or making Diana think that every person she sees is Cheetah in order to induce a heart attack? I don’t see what these plans could’ve been originally, I don’t see what Batman would’ve done if these plans were used as intended. And that bugs me a lot. But enough with that, let’s get into the actual pros and cons.
PROS:
  • Kevin, Tim, Michael, Carl and Susan are all on their A-Game! Each and every single one of them slips on their signature roles like a glove and wears it like a well tailored suit.
  • Nathan Fillion returns from Emerald Knights as Hal and I continue to enjoy his delightful presence in these films!
  • I don’t know who Bumper Robinson is, but he does a real nice job as Cyborg. He’s not as good as Khary Payton, but Khary voiced the son of a bitch for 3 years so it’s unfair.
  • I don’t know who the actor is who plays Bane, but he should do the character more often! Kudos to you Mr. Carlos Alazraqui!
  • Claudia Black as Cheetah! Now this lady I know, she played a conwoman and eventual main character name Vala in Stargate SG1 and I always loved her on that show! She was so hilarious! This movie though, she ain’t funny! And I rather like that about this character, great work again Miss Black! Good to see you again!
  • So Detective Lance (Paul Blackthorne) from Arrow voices Metallo… OH MY GOD! I mean the performance is fine enough but it is so weird to see him in this movie before that show had started yet!
  • The asshole senator from Dollhouse (who was also on Buffy and Angel apparently) plays Mirror Master… Yep! It’s official, Bruce Timm and Andrea Romano are Whedonites! No doubt about it.
  • So oddly enough, we have more actors from comic book TV shows voicing characters in this movie. We have Phil Morris, WHO PLAYED MARTIAN MANHUNTER IN SMALLVILLE (and the lawyer, Jackie Chiles in a few episodes of Seinfeld which kind of connects back to Superman again because image
    plays Vandal Savage, reprising the role from the Justice League animated series and still does great work here!
  • Lois Lane gets a couple scenes in this movie and she’s voiced by Grey DeLisle, whom I adore, and she does great work in this role! It definitely won’t be one of her most remembered roles, but it’s a nice little footnote on her kickass career.
  • Speaking of ass kicking, this movie has plenty of that and more! Lots of great action here!
  • While I already gave praise to Kevin, Tim, Susan, Michael and Carl, I really feel I ought to give each of them separate amounts of praise for their work. I’ll start with Carl, now first off, look at this image. image
    Imagine how hard it would be to emote the feeling of the pain of being burned alive. Doesn’t sound easy does it? Now imagine having to display that MUCH pain through just your voice! Sounds easy right? 
    Having to put out that much emotion is hard enough, to do it through voice acting is nigh impossible. And Carl Lumbly nails it!
  • I don’t have a ton to say about him through out this movie, but there are two scenes that I think Kevin nailed! One is the scene where he goes to the cemetery where his parents are supposed to be buried and he sounds absolutely furious that their bodies are missing. The other is the scene where he pieces together that some asshole is using his plans to attack his friends, he quickly tells Alfred that he needs to leave because the League is under attack, worriedly Alfred asks who are they under attack by. Batman quickly replies “Me!” Great delivery Kevin, but that’s nothing new.
  • Michael Rosembaum, who also played Lex in Smallville, does a great job as The Flash in this movie. Granted he’s doing a different Flash than the one he did in Justice League/Justice League Unlimited (he’s doing Barry in this movie, he did Wally in the old show) but he still does good work. I especially love the bit where Batman tells him to go up to the arctic and run through a glacier so that it’ll get stuck in one. Barry almost completely out of breath, a disturbing thought in of itself for The Flash, says that he’s more than happy to do this, noting that at least this way, the only person dead would be him.
  • Susan Eisenberg gets to play a Wonder Woman we don’t normally see, one who is simply to pooped to pop! She’s been taking down as many Cheetahs as she can, and they just keep coming, and she’s getting so tired. It’s wonderfully disturbing to see an exhausted Wonder Woman.
  • Tim Daly really never gets the chance to play a dying Superman but he has a great scene where he has to try to talk down a suicidal reporter (Metallo in disguise) and he is just so gentle and kind but still comes off like “You’re about to make a big mistake, don’t be stupid sir!” If you’ve ever had a friend who was suicidal, or just plain depressed, you absolutely love Superman in this scene which just makes it all the more horrifying when Superman is shot and he feels his chest and sees the blood.
  • If this movie is sold on the threat of the death of the Justice League, it does not disappoint! It never once fails to scare you into thinking the League are finished. The only scene I’d say really follies on that point is Hal’s and to be fair, that scene was going for something else. The animation in this film is very key! The anime-esque style they use here is really great for the expressiveness of the faces! Especially in this scene here where Bruce is buried alive by Bane!
CONS:
  • It feels like any hero really could’ve replaced Cyborg.
  • I haven’t read the storyline this movie is based on, but I am aware that the Lantern we had was originally Kyle Rayner and the Flash was originally Wally West. Why change it? And why swap out a Mexican-American man for a white guy? That sounds kinda fishy if you ask me.
  • I really feel like Nathan Fillion is underutilized here, he obviously loves playing the Green Lantern, why only give so many scenes?
  • And more importantly, why doesn’t Carol try to kill Hall? Why does she only leave a blubbering mess mourning a woman who looks like her. I’m not saying heroes shouldn’t be emotional, but after watching the man of steel get shot, a man being set on fire, the fastest man alive racing until he can’t keep going to prevent a bomb from going off, the woman who won’t back down from a fight about to experience a heart attack for it, and the most emotionally damaged hero ever being buried with the corpse of his long dead father, this feels kind of weak.
  • I can understand the League feeling uncomfortable with knowing Batman came up with plans to immobilize them, but why are they so offended? It was a good idea!
  • In the scene where Hal has to hold back the solar flare from reaching Earth, I would’ve liked to actually see him trying to fight to keep it back. We get the impression this is difficult, yes, but it’s a freaking solar flare! The only grunts and groans we get are the typical “Rrrrr! Grrrr!!! Rrrrr!!!” How about we get some “GRaH!!!!!!! RAAAAAAAAAAAAAAAAAHHHHH!!!! RRRRRRrrrrmmmM!!!!!” Show us the guy getting a nose bleed, show him really tightening his grip on his other arm, have him quoting the oath. Really sell us that this is taking all of Hal’s strength to pull this off. But no, we just get the typical, “boy this is hard!” routine.
  • How would any of these plans somehow only immobilize the League? These plans could only ever be used to kill!
  • I never cared for the final scene of this movie, it just felt so out of character for Batman to call the League his back up plan in case HE went rogue, especially when knows how to take out all of them. And it felt just as out of character for Clark to just sit there and hand him the kryptonite bullet for safe keeping after that comment.
All in all, I think the good outweighs the bad, but the bad is still pretty bad. I’m gonna give Justice League: Doom, a 7.8 out of 10!

DC Animated Superhero Retrospective Series - Superman/Batman: Apocalypse (2010)

Written In January 2014
 So here’s the thing, I watched this movie long before Public Enemies, and after watching that movie, I was taken back to an exchange from an episode of Suite Life of Zack & Cody. It was an episode where the employees of the Tipton and a rival hotel, called the Saint Mark, were competing in a bowling tournament, and the character of Estaban remarks, after a crushing defeat, that they “Stink like a donkey in August!” to which Arwin inquires “How does a donkey smell in, say, October?” Estaban quickly replies, “Better! Not good, but better.” That’s kind of how I feel about this movie, I wouldn’t quite call it good, but it is much much MUCH better than Superman/Batman: Public Enemies, and while that’s a low bar to reach, this movie goes far beyond it. It doesn’t reach the heights of Under The Red Hood, Crisis on Two Earths, or First Flight, but it at least exceeds Mystery of the Batwoman and Brainiac Attacks. Let’s get to the plot.
Plot Summary Taken From Wikipedia:
Weeks after the events that led to Lex Luthor’s arrest, the impeachment of his presidency, and Batman’s success in saving the world from the impact of an arriving meteor, a spaceship lands in Gotham City Harbor and a young girl with no knowledge of English or any other human languages emerges. She accidentally causes all sorts of havoc with her Kryptonian-like powers until the Dark Knight exposes her to a piece of Kryptonite. WithSuperman’s help, they discover that the girl is Kara Zor-El, the niece of Jor-El and Superman/Kal-El’s biological cousin. While Superman welcomes Kara and teaches her English and how to behave in society, Batman remains suspicious. Tipped off by Batman, Wonder Woman and Lyla ambush Clark Kent and Kara in a park and take Kara to Themyscira, on the basis that only there can she learn to control her powers. Superman reluctantly agrees, but still prefers to watch over Kara himself.
Elsewhere, on the planet Apokolips, Darkseid learns of Kara’s presence on Earth, and orders her to be captured and brought to Apokolips as a possible candidate to lead the Female Furies since the departure of Big Barda. While Batman and Superman are checking on Kara on Themyscira, a horde of Doomsday clones arrive from Apokolips. Superman, Wonder Woman and the Amazonian army fight them for a while until Superman vaporizes all of them with a single blast of his heat vision, but Batman discovers that Kara is missing, and Lyla has been killed by Darkseid’s Omega Beams while trying to prevent her abduction. Distraught, Superman vows revenge. Batman, Superman and Wonder Woman locate and recruit Barda to help them find their way on Apokolips. Once there, Superman tears his way to Darkseid’s palace while Wonder Woman and Barda go through the sewers directly into the fighting arena, where they are ambushed by Granny Goodness and the Female Furies. After a long fight, Granny and the Furies are subdued. Batman, meanwhile, makes his way underground and finds the Hell Spores, the source of the fire pits on Apokolips, and activates them.
Superman encounters Darkseid, who sets the brainwashed Kara on him. Kara pummels Superman while Darkseid watches, until Batman confronts Darkseid and informs him that he has activated the Hell Spores, all of which will destroy Apokolips. He issues Darkseid an ultimatum: free Kara and promise to leave her alone, and Batman will deactivate the Spores. Intrigued, Darkseid admits his admiration for Batman’s tactics. Acknowledging that neither Superman nor Wonder Woman have the “strength of character” to destroy an entire planet, Darkseid relents. Superman manages to defeat Kara, and Barda and Wonder Woman present Darkseid with the subdued Granny. Defeated, Darkseid allows them to leave Apokolips. With their lives normal again, Clark decides to take Kara to meet his adoptive parents in Smallville. However, they are ambushed by Darkseid, who was waiting to kill Superman; he had promised to leave Kara alone, but not Superman or Earth. Superman is blasted into orbit by Darkseid’s Omega Beams, leaving Kara to face Darkseid alone.
A lengthy battle ensues with Kara (having received both Amazonian and Apokoliptian training) putting up a respectable fight, but Darkseid eventually overpowers her. Superman recovers and returns to Earth to confront Darkseid again. He gains the upper hand and pummels Darkseid using a combination of punches and heat vision at super speed. Darkseid grabs Superman and begins attacking him with Omega Beams. As Superman’s skin starts to glow red hot from the assault, Kara uses Darkseid's Mother Box to activate a Boom Tube behind Darkseid. Superman uses the momentary distraction to his advantage and pushes Darkseid through. While Superman anticipates Darkseid’s eventual return from Apokolips, Kara informs him that she changed the coordinates to a random spot in space, leaving Darkseid floating around frozen in ice. Having saved her cousin’s life and found her place on Earth, Kara decides to use her powers to fight foraltruism under the alias of Supergirl. She is met with applause by Wonder Woman, the Amazons, and finally, Batman. Superman and Supergirl then fly off to Metropolis.
Okay, here’s the thing this movie has more pros than it does cons, but the cons it does have are in my opinion, very big cons, that cost this movie a lot. I… I don’t wanna say it, Rihanna, can you say it for me?
image
Thank you, I take back 89% of the bad thing I said about your music… Okay, 86… No, 78… You know what, I’ll just call you back later when I’ve reached a number. Let’s get into the pros and cons about this movie.
PROS:
  • Tim Daly is Superman.
  • Kevin Conroy is Batman.
  • Susan Eisenberg is Wonder Woman!
  • Summer Glau as Supergirl! This is a really great casting choice! Also, I can’t help but be reminded of her character in Firefly given Kara’s situation, haha.
  • While I think the material he’s given is pretty generic bad guy stuff, I think Andre Braugher does a pretty darn good job as Darkseid!
  • The action is great
  • Big Barda is in this movie, and she kicks ass!
  • While on Apolkolips, there’s this amazing fight sequence with Big Barda and Wondy on one side, and Granny Goodness’s furies, and it is amazing! Some of the best action I’ve seen in these movies!
CONS:
  • The fight between Darksied and Kara & Clark feels extremely tacked on. This movie should’ve just ended with Clark and Kara walking into the Kent House and been welcomed by Clark’s Ma and Pa, and sat down for some apple pie or something.
  • Wonder Woman is pretty in character, but I’m not sure if she can be called Wonder Woman, because in one scene she says something Wonder Woman would NEVER say! When Diana and Clark are debating over what should be done with Kara, the younger girl pipes and says “Hey, don’t I have a say in this?” In unison Wondy and Supes both reply “No!” That’s kind of out of character for Superman, but at least he recants it. Wonder Woman however, would never say she knows what’s better for someone than they do, especially not a woman! Age be damned!
  • Superman would not just roll over for Diana if she assumes she knows what’s better for her cousin than he does. And he wouldn’t just let things happen without Kara’s input. He’d ask her, “Kara, do you want to do this? Yes? Well I’m not sure, but if you say so.” Or “No? Alright then, we won’t.” He wouldn’t roll over and let someone else decide for his cousin.
  • Batman is admittedly pretty in character, but the extent of his mistrust in this movie is horribly exaggerated. He wouldn’t trust Kara at first admittedly, but he would be so out of caution. Here, it comes off like outright xenophobia. Like he doesn’t trust her purely because he doesn’t know her.
  • This one is more of a nitpick, but after the fight with Amazons in the park, Diana remarks that Kara used her heat vision against them and just wound up slicing up a bunch of trees and Superman’s statue. Superman himself has used that move a million different times! And the only reason she did use that move is because they fucking attacked her!
All in all, I liked this movie better than the last time I watched it, and I liked it much better than the last movie with “Superman/Batman” in the title, but I’d rather just put on Crisis or First Flight on. Superman/Batman: Apocalypse gets a 6 out of 10.

DC Animated Superhero Retrospective Series - Wonder Woman (2009)

Written In January 2014
While watching this movie, for some reason my mind wandered off into a couple Transformers references. One was when the monsters are messing with the Lincoln Memorial and Steve Trevor is outraged by this, causing me to flashback to this scene in Dark of the Moon. And the other was when Ares and Persephone have to sacrifice one of their troops to open the gate to the Underworld, the flashback being this scene in Revenge of the Fallen. Or maybe more appropriately this scene from South Park.
Onto the review!
Plot Summary Taken From Wikipedia:
Centuries ago, the Amazons, a proud and fierce race of warrior women, led by their Queen, Hippolyta (voiced by Virginia Madsen), battled Ares(voiced by Alfred Molina), the god of war, and his army. During the battle, Hippolyta beheaded her son, Thrax (voiced by Jason Miller), whom Aresforcibly conceived with her, who is fighting for his father. Hippolyta then defeated Ares, but Zeus (voiced by David McCallum) stopped her from delivering the death strike. Instead, Hera (voiced by Marg Helgenberger) bound his powers with magic bracers so that he was deprived of his ability to draw power from the aura of violence and death he could instigate, effectively rendering him mortal, and only another god could release him. In compensation, the Amazons were granted the island of Themyscira, where they would remain eternally youthful and isolated from Man in the course of their duty of holding Ares prisoner for all eternity. Later, Hippolyta was granted a daughter, Princess Diana (voiced by Keri Russell), whom she shaped from the sand of the Themyscirian sea shore and gave life with her own blood.
Over a millennium later, an American fighter pilot, USAF Colonel Steve Trevor (voiced by Nathan Fillion), is shot down in a dogfight and crash-lands on the island, where he soon runs afoul of the Amazon population, including the warlike, aggressive Artemis (voiced by Rosario Dawson). Steve and Diana meet and fight, and she defeats him, taking him to the Amazons. After interrogating him with the use of the Amazons’ golden lasso, Hippolyta decides he is not an enemy of the Amazons and as such, tradition dictates that an emissary be tasked to ensure his safe return to his own country. Diana volunteers, but is assigned to guard Ares’s cell instead since her mother argues that she has not enough experience in dealing with the dangers of the outside world. Diana defies her mother and, her face hidden by a helmet and her guard duty covered by her bookish but kind-hearted Amazon sister Alexa (voiced by Tara Strong), participates in contests of strength and wins the right to take Trevor back to his home.
In the meantime, the Amazon Persephone (voiced by Vicki Lewis), who has been gradually seduced by Ares, kills Alexa and releases him. With the additional task of capturing Ares, Diana brings Trevor to New York City, where he volunteers to help Diana on her quest. An investigation uncovers a pattern of violence created by Ares presence that will lead to him given time, and the pair go out to a bar while they wait. After some heavy drinking, Trevor makes a pass at Diana. They argue outside, but are attacked first by thugs and then the demigod Deimos (voiced by John DiMaggio). Deimos kills himself to prevent being interrogated, but Diana and Steve find a clue on his body that leads them to a concealed gateway to the underworld guarded by members of a still-extant ancient cult of Ares.
Once there, Diana attempts to subdue Ares, but he summons harpies that knock her unconscious, prompting Trevor to save her instead of stopping Ares. Meanwhile, Ares performs a sacrifice to open a gate to the Underworld where he persuades his uncle Hades (voiced by Oliver Platt) to remove the bracers, though Hades does not tell Ares that the ultimate cost of removing the bracers would be Ares’ own death in combat. Later, Diana regains consciousness in a hospital and is furious that Trevor saved her rather than stop Ares. Trevor argues against her abuse with his own criticism of the Amazons’ self-imposed isolation and their generalizations about men, and reveals how much he cares about her.
Ares and his army attack Washington, DC. Trevor and Diana arrive to battle Ares and are soon joined by the Amazons. While Ares manages even to summon the Amazons long dead from the Underworld to fight their own sisters, his scheme is stopped by Alexa, a member of the undead host, who reveals to Artemis a chant which nullifies Ares’s control over them. The undead then turn on Ares but are destroyed by his powers. Hippolyta faces Persephone in combat and kills her, but in her dying breath, Persephone makes the queen realize that in shutting the Amazons away from the world of men, she has denied them the chance to live their lives as women.
Meanwhile, the President (voiced by Rick Overton) is influenced by Ares’s power and orders a nuclear missile against Themyscira, presuming the island nation to be the source of the attack on Washington. This act of supreme aggression increases Ares’s power, but Trevor takes the invisible jet and shoots down the missile just before it hits the island. Finally, after a brutal beating at Ares’s hands, Diana finally outwits and kills him. Subsequently, Ares is condemned to the underworld to attend Hades as a slave alongside his son.
Later on Themyscira, in memory of Alexa, Artemis takes up the hobby of reading (with severe difficulty). Hippolyta realizes that Diana misses both the outside world and Trevor, and to make her happy again, she gives her daughter the task of being a channel for ‘communication between men and women’. Diana accepts and returns to New York, where she enjoys the company of Trevor. Their relationship comes with the understanding of her larger duties, such as when Diana sees Cheetah robbing a museum and she excuses herself to stop the supervillainess as the newly christened Wonder Woman.
Before I get into my lists of pros and cons, let’s talk about something real quick. Why does Wonder Woman not have a live action theatrical film yet? It’s not because she’s a comic book character, those movies have been making bookoo bucks since ‘78 when they released Superman: The Movie with Christopher Reeve, Gene Hackman, Margot Kidder and Marlon Brando. It can’t be because studios aren’t sure if female led action films are profitable, the Resident Evil series has had 6 installments and made just under a billion dollars total against a total of 280 million for budget. The Underworld series consists of four films and has made just under 500 million on a budget of 177 million. And I doubt it’s because she’s based on Ancient Greek Swords and Sandals style films, because the studios and audiences eat that shit up. Look no further than the fact that we have TWO, count ‘em, TWO, Hercules movies.
I suppose you can make the argument that movies like Catwoman and Elektra tanking at the box office and just generally not being very good movies is to blame. But those movies were made long after the wake of Superman and Batman movies we had. The popular consciousness seems to say that each half the world’s finest had one great movie, one good movie, one not-so-good movie, and one shitty movie. The first movie to hit theaters for either party that was not considered a serial, was the George Reeves pilot back in 1951, titled Superman and the Mole Men. 15 years later, we were all amazed with the campy glory that was Bill Dozier’s Batman starring Adam West and Burt Ward as the icons that are the Dynamic Duo. Then 12 years later we started to believe a man could in fact fly thanks to Richard Donner and Alexander & Ilya Salkind. That soon enough went to shit by the time 1986 came around, but luckily, Michael Keaton, Tim Burton and Jack Nicholson quickly came around three years later to resurrect the once proud and grim series that was Batman. Which also went to shit thanks in no small part Warner Bro’s interference but also thanks to Joel Schumacher, Val Kilmer and George Clooney. That series finally went and died in 1997 until Christopher Nolan, God bless his soul, came in and breathed new life into it.
Where was Wonder Woman in all of this? Stuck on the small screen in the form of the Linda Carter series on CBS, where she was accompanied by a collection of Marvel characters, including most famously Lou Ferrigno’s Incredible Hulk and Bill Bixby’s David Bruce Banner, and much less famously Nicholas Hammond’s Spider-Man/Peter Parker, and even less famously Reb Brown’s Captain America/Steve Rogers. What’s my point, you ask? WHY THE HELL ISN’T SHE ON THE BIG SCREEN ALREADY?!?!?!? How come we don’t have a beloved actress who came from being an absolute unknown to the biggest star on the planet, who got that way for playing Wonder Woman? How come we don’t have an already well liked and respected actress that everyone gained a new found appreciation for after seeing their incredible range as a performer after being cast against type as Wonder Woman? How come we don’t have a respected method actress who had a cult following before being cast as Wonder Woman, who is now one of the most famous, beloved and respected actresses in Hollywood?
Why has Wonder Woman not enjoyed the same amount of love and respect as Superman and Batman? I am of course aware that Israeli actress-model, Gal Gadot, has been cast as the Amazonian Warrior Princess, but let’s consider something. Wonder Woman was created in 1941 and brought to television in 1975. And she’s finally going to make her big screen debut in February of 2014, in the form of an animated lego mini-figure voiced by How I Met Your Mother’s Cobie Smulders in Phil Lord and Chris Miller’s The Lego Movie, a movie where she’s likely going to be the equivalent, to a small celebrity cameo. And only two years later, she’ll make her first appropriateappearance in the currently untitled sequel to 2013’s Man of Steel. A movie also not about her, where she’ll be a relatively smaller role, that may or may not be entirely plot relevant.
This movie was made in 2009. It took Wonder Woman 68 years to have her own feature length film, and it’s only a direct to video animated movie written by an admittedly brilliant comic book writer, but still not someone who get a ton of respect in mainstream Hollywood. I don’t feel like saying, I’ll have John Goodman say it for me.
Thank you John. Sorry for the ranting people, I didn’t mean to talk up that for so long, I just needed to get something off of my chest.
Anywho, onto the actual review.
PROS:
  • I don’t really know much of Kerri Russel’s work, but she really did a great job as Wondy in this movie.
  • Malcolm Reynolds as Steve Trevor! Oh wait no, that’s Nathan Fillion! My mistake!
  • Ares is a delightful villain and an intimidating presence, especially with Alfred Molina’s wonderfully slimy delivery. I’m surprised Bruce and Andrea could get a hold of him.
  • Hades makes a couple quick appearances in this movie and he is the perfect asshole. He brings in Ares’s dead son in and treats him like garbage, just to humiliate Ares. And to top it all of, he’s voiced by Oliver Plat, who I am again, very surprised to see here.
  • The animation and character designs in this movie are all really great, with some wonderfully directed action scenes handled by Lauren Montgomery, who handled the second act of Superman: Doomsday.
  • The screenplay written by Gail Simone is fantastic! It’s got a lot of Tumblr Feminist style punches in it, with a few fedora wearing dudebro esque quips, but with just enough intelligence to cut strait through that bullshit and say, both parties are morons and need to work together like smart people.
  • Christopher Drake’s score is delightful, although he noted in his Fat Man on Batman interview with Kevin Smith, that they were initially going to go for something in the vein of Queen’s Flash Gordon theme, which I would’ve loved as well.
  • I didn’t buy Persephone’s reasoning for betraying her fellow Amazons at first, but then I realized, Diana is the ONLY woman on the island who has never met and/or seen a man. All of these women at one point had fathers, brothers, uncles, grandfathers, cousins, maybe husbands or even sons! Persephone longs to be a wife and mother, in fact I get the impression she once was that, but lost it.
  • Tara Strong voices a bookworm Amazon named Alexa, who seems to be the only woman int his movie who doesn’t want to kill something. I kinda like her.
  • While Artemis is a frequently a bitch throughout this movie, she’s also quite awesome!
CONS:
  • The way Ares is killed is rather Deus Ex Machina like, and I really don’t care for that.
  • I don’t get why everyone seems to hate Alexa because she’s a bookworm who can’t really fight. Especially not when Athena, one of the goddesses they likely idolize is known to be a philosopher and quite the reader in general.
  • I also hate that Artemis, Alexa’s sister, expresses such animosity toward her. Even in death! I’m not terribly fond of my sister and I’ve cursed at her more times than I’d care to admit, but if something happened to her I’d horrified and heartbroken. Artemis, on the other hand, upon discovering her sister is dead, assumed she just fucked up. And when she meets her on the battlefield as a zombie, she says that she’s continuing disgrace their family name (which we never actually learned).
  • Diana’s mother Hippolyta feels too cold. I really question how much she cares about people, she had to kill her own son on the battlefield but she never really shows any concern about it. I get that Amazons are supposed to be really hardcore and stuff, but even the biggest of badasses have their moments where they let their emotions go. In Saving Private Ryan, Tom Hanks, who in the movie is supposed to be the perfect commander, goes off on his own for a minute and outright CRIES for his fallen soldiers. In the first Die Hard movie, when Bruce Willis starts to think he’s not coming back from his current predicament with Alan Rickman, he talks to Reginald VelJohnson and admits that he regrets never actually trying to apologize to his wife, who he is currently in the process of being divorced from. OPTIMUS FUCKING PRIME, apologized to a dead Megatron for it having to be the way it is now in the first Transformers movie. A CHARACTER GRIEVED HIS ENEMY! IN A MICHAEL BAY MOVIE! And not just any character in a Michael Bay movie, a MACHINE! A MACHINE GRIEVED ANOTHER MACHINE! Why do I keep going back to Transformers?
Okay, all that being said, this is a great movie. I don’t think it’s quite as good as a lot of folks say, but it is still a very good movie, that I think could’ve worked as a template for a live action movie, but we’ll see what David Goyer, Zack Snyder, Chris Terrio and Gal Gadot will being giving us in 2016. Until then, I’ll be providing Wonder Woman a 7.9 out of 10.